"Tiefland, Op. 34: Act II, Scene 8: "Was wollt ihr, he?"" by Eugen d'Albert, Staatskapelle Dresden, Paul Schmitz, Ernst Gutstein, Theo Adam, Hannelore Kuhse had its release date on January 1, 1965. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 39 in d'Albert: Tiefland by Eugen d'Albert, Staatskapelle Dresden, Chor der Staatsoper Dresden, Theo Adam, Paul Schmitz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Tiefland, Op. 34: Act II, Scene 8: "Was wollt ihr, he?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tiefland, Op. 34: Act II, Scene 8: "Was wollt ihr, he?" by Eugen d'Albert, Staatskapelle Dresden, Paul Schmitz, Ernst Gutstein, Theo Adam, Hannelore Kuhse is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in B Minor, Op. 2: V. Dasselbe Zeitmass | Eugen d'Albert, Alun Francis, BBC Scottish Symphony Orchestra, Piers Lane | B Major | 3 | 1B | 105 BPM | ||
Czerny Op. 299 No. 9 (At Tempo) | Carl Czerny, The Piano Foundation | G Major | 2 | 9B | 107 BPM | ||
Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | A Major | 0 | 11B | 131 BPM | ||
A:2 Sonata all Scarlatti | Germaine Tailleferre, Dinara Klinton | A Minor | 1 | 8A | 162 BPM | ||
12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
Toccata & Fugue in F Major, BWV 540: I. Toccata (Arr. E. d'Albert for Piano) | Johann Sebastian Bach, Eugen d'Albert, Jouni Somero | A Minor | 2 | 8A | 137 BPM | ||
Aschenputtel (Cinderella), Op. 33: I. Aschenputtel am Herd | Eugen d'Albert, MDR Leipzig Radio Symphony Orchestra, Jun Markl | B Minor | 0 | 10A | 134 BPM | ||
Nutcracker Suite, Op. 17a (Arr. Solo Piano by Giorni): Dance of the Reed Flutes (Danse Des Mirlitons) - Duo-Art 6132 | Pyotr Ilyich Tchaikovsky, Aurelio Giorni, Peter Phillips | D Major | 1 | 10B | 74 BPM | ||
Sonatine: II. Mouvement De Menuet - Welte-Mignon 2887 | Maurice Ravel, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Serenade for Wind Instruments, Op. 44, B. 77 (Excerpts Arr. P. Breiner for Piano): II. Tempo di minuet | Antonín Dvořák, Peter Breiner | G Minor | 0 | 6A | 70 BPM |