"Verdi: La traviata, Act 3: "Ah Violetta!...Voi, signor!" (Germont, Violetta, Alfredo, Annina, Doctor)" by Giuseppe Verdi, Ugo Savarese, Francesco Albanese, Gabriele Santini, Mario Zorgniotti, Orchestra Sinfonica della RAI was released on 1954. With Verdi: La traviata, Act 3: "Ah Violetta!...Voi, signor!" (Germont, Violetta, Alfredo, Annina, Doctor) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La traviata (1953 - Santini) - Callas Remastered by Giuseppe Verdi, Maria Callas. The song's track number on the album is #42 out of 44 tracks. In terms of popularity, Verdi: La traviata, Act 3: "Ah Violetta!...Voi, signor!" (Germont, Violetta, Alfredo, Annina, Doctor) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Verdi: La traviata, Act 3: "Ah Violetta!...Voi, signor!" (Germont, Violetta, Alfredo, Annina, Doctor) by Giuseppe Verdi, Ugo Savarese, Francesco Albanese, Gabriele Santini, Mario Zorgniotti, Orchestra Sinfonica della RAI has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: La traviata, Act 3: "Ah Violetta!...Voi, signor!" (Germont, Violetta, Alfredo, Annina, Doctor) being at 110 テンポ, the half-time would be 55 テンポ with a double-time of 220 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM | ||
La Traviata, Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 2 | 6B | 106 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM |