"Flute Concerto, Op. 63, "Dances with the Winds": I. Andantino" by Einojuhani Rautavaara, Petri Alanko, Lahti Symphony Orchestra, Osmo Vänskä was released on August 31, 1999. Since Flute Concerto, Op. 63, "Dances with the Winds": I. Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Rautavaara: Symphony No. 7, Angel of Light / Dances With Winds, Op. 69 / Cantus Arcticus, Op. 61". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Flute Concerto, Op. 63, "Dances with the Winds": I. Andantino is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto, Op. 63, "Dances with the Winds": I. Andantino by Einojuhani Rautavaara, Petri Alanko, Lahti Symphony Orchestra, Osmo Vänskä having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation VI - L'istesso tempo | Sergei Rachmaninoff, Cameron Carpenter, Christoph Eschenbach | E Minor | 1 | 9A | 96 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
Polish Requiem: Ciaconne (Chaconne): A Polish Requiem: Ciaconne (Chaconne) | Krzysztof Penderecki, Sinfonia Varsovia | G Minor | 1 | 6A | 103 BPM | ||
Berliner Messe: Gloria | Arvo Pärt, Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Tallin Chamber Orchestra | G Minor | 1 | 6A | 111 BPM | ||
War Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternam | Benjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony Orchestra | A Minor | 0 | 8A | 79 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Credo: Credo in unum Deum | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 0 | 5B | 0 BPM |