"Elégie, Op. 24" by Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier was released on April 1, 1991. Since Elégie, Op. 24 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Saint-Saëns: Cello Concerto No. 1; Allegro Appassionato / Honegger: Cello Concerto / Fauré: Elégie / D'Indy: Lied". In this album, this song's track order is #2. Elégie, Op. 24 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elégie, Op. 24 by Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Nocturne No.1 in E Flat Minor, Op.33, No.1 | Gabriel Fauré, Pascal Rogé | F♯ Major | 2 | 2B | 129 BPM | ||
The Gadfly, Op.97: 3. Youth (Romance) | Dmitri Shostakovich, Alexander Kerr, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 59 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Romance in F Major, Op. 36, R. 195 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 0 | 7B | 75 BPM | ||
Kheira's Theme | Julian Lloyd Webber | E Major | 1 | 12B | 173 BPM | ||
Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | A Major | 1 | 11B | 73 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM |