Giovanni Zamboni, Simone Vallerotonda's 'Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Minuet' came out on June 10, 2016. With Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Minuet being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zamboni: L'ultimo romano. Sonate d'intavolatura di leuto, 1718 by Giovanni Zamboni, Simone Vallerotonda. The song's track number on the album is #5 out of 28 tracks. Based on our statistics, Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Minuet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Minuet by Giovanni Zamboni, Simone Vallerotonda has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonate d'intavolatura di leuto, Op. 1, Sonata VIII: Minuet being at 142 テンポ, the half-time would be 71 テンポ with a double-time of 284 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Fantasie dessus l'accord du Lute (Le Roy) | Edward Martin | C Major | 0 | 8B | 94 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM | ||
La Canción del Emperador | Luis de Narváez, Dulces Exuviae, Bor Zuljan | F♯ Major | 1 | 2B | 75 BPM | ||
Pieces de clavecin, Book 2: 7th Ordre: La Menetou (Rondeau) (arr. Y. Imamura) | François Couperin, Yasunori Imamura | D Minor | 1 | 7A | 97 BPM | ||
Fortune Laisse (Attaingnant) | Edward Martin | F Major | 1 | 7B | 86 BPM | ||
Prelude in D Minor | Ennemond Gaultier, Rolf Lislevand | A♭ Minor | 1 | 1A | 107 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Lute Sonata No. 3, Op. 1: II. Giga | Giovanni Zamboni, Luciano Còntini | A♭ Major | 2 | 4B | 66 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM |