"La Mer - Trois esquisses symphoniques: 3. Dialogue du vent et de la mer" by Orchestra of Radio Luxemburg, Louis de Froment was released on November 27, 2011. Since La Mer - Trois esquisses symphoniques: 3. Dialogue du vent et de la mer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in San's "Instant Classical Collection - Most Popular Masterpieces, Vol. 1" album is number 40 out of 87. La Mer - Trois esquisses symphoniques: 3. Dialogue du vent et de la mer is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Mer - Trois esquisses symphoniques: 3. Dialogue du vent et de la mer by Orchestra of Radio Luxemburg, Louis de Froment to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 1: "Fourbis le glaive" (Rodrigue, Chimène, Chorus, Hernan, Iñez) | Claude Debussy, Kent Nagano, Chœur de l’Opéra de Lyon, Donna Brown, Gilles Ragon, Hélène Jossoud, Laurence Dale, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 101 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
L'enfant prodigue: Recit et air: Ces airs joyeux, ces chants de fete… (Azael) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |