"Interview" by Yoshiya Terayama had its release date on March 20, 2019. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 136 in DEVIL MAY CRY 5 Original SoundTrack by Capcom Sound Team. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Interview is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Interview by Yoshiya Terayama is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hallowed Hollow - Holidays in the Borderlands | Raison Varner | D Major | 6 | 10B | 135 BPM | ||
Endless | Jose Pavli | B♭ Minor | 5 | 3A | 155 BPM | ||
Dosers on the Grid | Shoi Miyazawa | B♭ Minor | 6 | 3A | 138 BPM | ||
Silent Encounter | Kota Hoshino | A Minor | 7 | 8A | 190 BPM | ||
Daedalus | Jose Pavli | B Minor | 9 | 10A | 150 BPM | ||
The Crimson Mare - FF7R Ver. | 植松 伸夫, 鈴木 克崇 | A Major | 9 | 11B | 78 BPM | ||
Regrets | Syusaku Uchiyama | C Minor | 0 | 5A | 77 BPM | ||
Rough and Decent (Bad Joke) | Shoi Miyazawa | E♭ Major | 7 | 5B | 124 BPM | ||
Make Things Right | Takashi Onodera, Kota Hoshino | A♭ Major | 6 | 4B | 167 BPM | ||
Decentralized by Nature | Ludvig Forssell | D♭ Major | 8 | 3B | 164 BPM |