"Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 73: No. 6, Again, as Before, Alone" by Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra was released on September 1, 2005. The duration of Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 73: No. 6, Again, as Before, Alone is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 73: No. 6, Again, as Before, Alone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tchaikovsky : Rococo Variations, Andante Cantabile, Romances". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 73: No. 6, Again, as Before, Alone is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 73: No. 6, Again, as Before, Alone by Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra having a テンポ of 168 with a half-time of 84 テンポ and a double-time of 336 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Alexander Kniazev | A Minor | 0 | 8A | 176 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM |