"Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio" by Orchestra Sinfonica Haydn Di Bolzano E Trento was released on January 1, 2019. Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio appears to be safe for all ages as it is not explicit. The song is number 7 out of 9 in Beethoven · Haydn · Rossini: Symphony No. 4 · Symphony No. 49 · Overture "La Scala di Seta" by Orchestra Sinfonica Haydn Di Bolzano E Trento. Based on our statistics, Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio by Orchestra Sinfonica Haydn Di Bolzano E Trento is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Concertante in B-Flat Major, Hob. I. 105: III. Allegro con spirito | Franz Joseph Haydn, Gregory Ahss, Konstantin Pfiz, Lucas Macias Navarro, Guilhaume Santana, Claudio Abbado, Orchestra Mozart | B♭ Major | 1 | 6B | 130 BPM | ||
Morning Post Waltz, Op. 279: Morgenbla¨tter | Orchestra of the Viennese Volksoper & Alfred Scholz | C Major | 1 | 8B | 181 BPM | ||
Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | G Major | 2 | 9B | 126 BPM | ||
Piano Sonata No. 30 in D Major, Hob. XVI:19: I. Moderato | Vadim Chaimovich | D Major | 1 | 10B | 84 BPM | ||
Cello Concerto in E-Flat Major, G. deest: I. Maestoso | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 2 | 6B | 117 BPM | ||
Symphony No. 7 in A Major, Op. 92: 2. Allegretto | Willem van Otterloo, Sydney Symphony Orchestra | E Minor | 1 | 9A | 136 BPM | ||
Liebestraum No.2 in E Flat Major, S.541 No.2 - nach einem Gedicht von Ludwig Uhland: Notturno II: Seliger Tod | Franz Liszt, Daniel Barenboim | E Major | 0 | 12B | 136 BPM | ||
Nocturne No.11 in E Flat Major, H.56 | John Field, Elizabeth Joy Roe | E♭ Major | 1 | 5B | 67 BPM | ||
Smetana: String Quartet No. 1 in E Minor "From My Life": III. Largo sostenuto | Bedřich Smetana, Alban Berg Quartett | F Major | 2 | 7B | 124 BPM | ||
Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": I. Adagio - Allegro | Franz Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 136 BPM |