"Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental" by Enrique Granados, Alexandre Lagoya, Ida Presti was released on January 1, 2006. With this song being about 5 minutes long, at 5:22, "Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental" by Enrique Granados, Alexandre Lagoya, Ida Presti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ida Presti, Alexandre Lagoya's "L'Extraordinaire Duo Presti-Lagoya" album is number 14 out of 17. In terms of popularity, Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danzas españolas, Op.37 - Transcr. for two guitars A. Lagoya: No. 2 Oriental by Enrique Granados, Alexandre Lagoya, Ida Presti to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Danzas españolas, Op. 37: 4. Villanesca | Enrique Granados, Alicia de Larrocha | G Major | 0 | 9B | 69 BPM | ||
6 Romances sans paroles, Op. 76: VI. Méditation | Cécile Chaminade, Mark Viner | A♭ Major | 0 | 4B | 72 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Sainz de la Maza: La frontera de Dios: V. Sacrificio | Regino Sáinz de la Maza, Thibaut García | E Minor | 0 | 9A | 70 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. by Sandquist) | Robert Schumann, Jian Wang, Göran Söllscher | F Major | 0 | 7B | 86 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM |