Henryk Wieniawski, Nathan Milstein, Leon Pommers's 'Mazurka in D Major, Op. 19, No. 2 - 1998 Digital Remaster' came out on January 1, 1998. The duration of Mazurka in D Major, Op. 19, No. 2 - 1998 Digital Remaster is about 3 minutes long, at 3:16. Based on our data, "Mazurka in D Major, Op. 19, No. 2 - 1998 Digital Remaster" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vignettes: 24 Favorite Miniatures by Nathan Milstein. The song's track number on the album is #3 out of 24 tracks. In terms of popularity, Mazurka in D Major, Op. 19, No. 2 - 1998 Digital Remaster is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Mazurka in D Major, Op. 19, No. 2 - 1998 Digital Remaster by Henryk Wieniawski, Nathan Milstein, Leon Pommers has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mazurka in D Major, Op. 19, No. 2 - 1998 Digital Remaster being at 91 テンポ, the half-time would be 46 テンポ with a double-time of 182 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henryk Wieniawski: Mazurka in G Major, Op. 19 No. 1, Obertass (arr. Marek Pasieczny) | Marek Pasieczny, Henryk Wieniawski, Krzysztof Pełech | E Minor | 5 | 9A | 148 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo: Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
Sibelius : Violin Concerto in D minor Op.47 : II Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM |