"Also sprach Zarathustra, Op.30: Von der großen Sehnsucht" by Richard Strauss, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. The duration of Also sprach Zarathustra, Op.30: Von der großen Sehnsucht is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Also sprach Zarathustra, Op.30: Von der großen Sehnsucht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss, R.: Also sprach Zarathustra; Don Juan". In this album, this song's track order is #3. Also sprach Zarathustra, Op.30: Von der großen Sehnsucht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30: Von der großen Sehnsucht by Richard Strauss, Thomas Brandis, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Vienna State Opera Orchestra, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Elektra, Op. 58, TrV 223: "Es geht ein Lärm los." | Richard Strauss, Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" | Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm | B♭ Major | 5 | 6B | 107 BPM |