Berliner Philharmoniker's 'Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": V. FInale, Presto - Recorded in Berlin 11/9/1953' came out on May 21, 2008. With this song being about 5 minutes long, at 5:28, "Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": V. FInale, Presto - Recorded in Berlin 11/9/1953" by Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Mendelssohn: Concerto No 2, Concerto for Violin, Symphony No. 4" album is number 9 out of 9. In terms of popularity, Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": V. FInale, Presto - Recorded in Berlin 11/9/1953 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sinfonia No. 4 in La Maggiore, Op. 90 - "Italiana": V. FInale, Presto - Recorded in Berlin 11/9/1953 by Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Recordare - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Einleitung zum Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 80 BPM | ||
Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM |