"Sonata of Forgotten Dreams: III. Reconciliations and Regrets" by Richard Charlton, Timothy Kain was released on April 12, 2019. With this song being about 5 minutes long, at 4:34, "Sonata of Forgotten Dreams: III. Reconciliations and Regrets" by Richard Charlton, Timothy Kain is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 20 in Forgotten Dreams: Australian Guitar Music by Timothy Kain. In terms of popularity, Sonata of Forgotten Dreams: III. Reconciliations and Regrets is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata of Forgotten Dreams: III. Reconciliations and Regrets by Richard Charlton, Timothy Kain is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossienne No. 4 | Erik Satie, Nicolas Horvath | A Minor | 1 | 8A | 111 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Four English Concert Pieces: II. Fortune My Foe (Arr. Timothy Kain) | John Dowland, Timothy Kain, Guitar Trek | F Major | 0 | 7B | 72 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
The Black Cockatoo Flying Alone | Richard Charlton, John Couch | G Major | 3 | 9B | 109 BPM | ||
Mosstrooper Peak (Version for Solo Guitar): IV. Tangalooma | Nigel Westlake, Timothy Kain | A Major | 1 | 11B | 131 BPM |