"O Salutaris Hostia" by Ēriks Ešenvalds, Thelma Hrönn Sigurdórsdóttir, Kirstín Erna Blöndal, Schola Cantorum Reykjavicensis, Hörður Áskelsson was released on August 5, 2016. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Schola Cantorum Reykjavicensis, Hörður Áskelsson's "Meditatio: Music for Mixed Choir" album is number 9 out of 14. On top of that, Sweden appears to be the country where this track was created. O Salutaris Hostia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Salutaris Hostia by Ēriks Ešenvalds, Thelma Hrönn Sigurdórsdóttir, Kirstín Erna Blöndal, Schola Cantorum Reykjavicensis, Hörður Áskelsson to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
Threshold of Night | Tarik O'Regan, Craig Hella Johnson, Conspirare | B♭ Major | 0 | 6B | 79 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glory (Quiet) | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Minor | 0 | 11A | 81 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
Crux fidelis | João IV of Portugal, Oxford Camerata, Jeremy Summerly | F Major | 0 | 7B | 74 BPM | ||
Northern Lights | Sjaella | E♭ Minor | 0 | 2A | 105 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM | ||
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Ave generosa | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | A Minor | 0 | 8A | 134 BPM | ||
MAGNIFICAT: III. Quia fecit | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Lise Granden Berg, Magne H. Draagen, Øyvind Gimse | G Major | 2 | 9B | 120 BPM |