Gary Beach, Cady Huffman, Nathan Lane, Matthew Broderick, The Producers Ensemble made "Prisoners of Love" available on March 26, 2001. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Producers (Original Broadway Cast Recording)". In this album, this song's track order is #19. Based on our statistics, Prisoners of Love's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prisoners of Love by Gary Beach, Cady Huffman, Nathan Lane, Matthew Broderick, The Producers Ensemble having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby of Broadway | Jerry Orbach, 42nd Street Ensemble | C Major | 3 | 8B | 81 BPM | ||
Where Are You? - Original Broadway Cast Recording: "Spamalot" | Christian Borle | A Major | 5 | 11B | 71 BPM | ||
Finale | 'Something Rotten' Company | C Major | 7 | 8B | 129 BPM | ||
Two of a Kind | Raymond Jaramillo McLeod, Jennifer Cody | A Minor | 4 | 8A | 133 BPM | ||
That Face | James Moye, Nick Blaemire, Adam Halpin, Josh Segarra | A Major | 5 | 11B | 123 BPM | ||
Run and Tell That! | Corey Reynolds, Danelle Eugenia Wilson, Hairspray Ensemble | A Major | 9 | 11B | 150 BPM | ||
How Can I Call This Home? | Brent Carver, John Hickok, Parade Ensemble | D Major | 3 | 10B | 69 BPM | ||
Montage, Part 2: Nothing | Natalie Cortez | A♭ Minor | 4 | 1A | 75 BPM | ||
I Can't Be Bothered Now | Kirby Ward, The "Crazy for You" Female Ensemble | D Major | 4 | 10B | 102 BPM | ||
Der Guten Tag Hop-Clop | Brad Oscar, Nathan Lane, Matthew Broderick | D♭ Minor | 4 | 12A | 97 BPM |