"Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa" by Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations was released on May 5, 2023. The duration of Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa's duration is considered a little bit shorter than the average duration of a typical track. This song is part of W. A. Mozart: Requiem in D Minor, K. 626 by Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations. The song's track number on the album is #8 out of 14 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa by Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Requiem in D Minor, K. 626: III. Sequentia: No. 6, Lacrymosa being at 75 テンポ, the half-time would be 38 テンポ with a double-time of 150 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Requiem KV 626: Rex Tremendae | Nicol Matt, Thomas Pfeiffer, Reinhard Geller, Wolfgang Amadeus Mozart, Pamela Heuvelmans, Robert Morvaj, Süddeutsches Kammerorchester Pforzheim; Chamber Choir Of Europe, Barbara Werner | G Minor | 1 | 6A | 90 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Grave Assai - Fandango | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 2 | 11B | 115 BPM | ||
Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
Missa brevis in C Major, K. 220 "Spatzenmesse": III. Credo | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Angela Maria Blasi, Elisabeth Von Magnus, Franz-Josef Selig, Uwe Heilmann, Concentus Musicus Wien, Arnold Schönberg Choir | F♯ Major | 1 | 2B | 95 BPM | ||
The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM | ||
[Suite en sol mineur]: I. Prélude (No. 63) | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 0 | 11A | 115 BPM | ||
Prima die Lectio prima: II. Aleph | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 135 BPM |