"Magyar parasztdalok (Hungarian Peasant Songs), BB 107: No. 2 - No. 8: Regi tancdalok (Hungarian Peasant Dances)" by Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis was released on July 15, 2014. Magyar parasztdalok (Hungarian Peasant Songs), BB 107: No. 2 - No. 8: Regi tancdalok (Hungarian Peasant Dances) is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The song is number 13 out of 13 in Bartok: Concerto for Orchestra / Dance Suite / Hungarian Peasant Songs by Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis. Magyar parasztdalok (Hungarian Peasant Songs), BB 107: No. 2 - No. 8: Regi tancdalok (Hungarian Peasant Dances) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magyar parasztdalok (Hungarian Peasant Songs), BB 107: No. 2 - No. 8: Regi tancdalok (Hungarian Peasant Dances) by Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Prelude No. 1 | Federico Mompou, Stephen Hough | E♭ Major | 0 | 5B | 82 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |