David Lang, Matthew Brown, Los Angeles Master Chorale, Grant Gershon's 'The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): It was terribly cold' came out on June 24, 2016. The duration of The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): It was terribly cold is about 3 minutes long, at 3:05. Based on our data, "The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): It was terribly cold" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 20 in David Lang: The National Anthems & The Little Match Girl Passion by David Lang, Los Angeles Master Chorale, Grant Gershon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): It was terribly cold is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Little Match Girl Passion (Version for 4 Voices, Percussion & Choir): It was terribly cold by David Lang, Matthew Brown, Los Angeles Master Chorale, Grant Gershon is Presto (very, very fast), since this song has a tempo of 182 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
Murder Ballades: Tears For Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Invitation to the Voyage | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
Quintett N.1 | Dustin O'Halloran | C Major | 0 | 8B | 50 BPM | ||
In A Landscape | John Cage, Francesco Tristano | D Minor | 0 | 7A | 78 BPM | ||
Alef mem shin (Texte hébraïque Occitanie IXème siècle) - Musique: Vido venir tus cavalleros (Traduction sépharade turc) | Montserrat Figueras, Driss El Maloumi, Nedyalko Nedyalkov, Jordi Savall | C Major | 0 | 8B | 113 BPM | ||
Scherza infida | George Frideric Handel, Musica Sequenza, Burak Ozdemir | G Major | 1 | 9B | 127 BPM | ||
Offering | Ravi Shankar | B♭ Major | 2 | 6B | 80 BPM |