The City of Prague Philharmonic Orchestra's 'Men of Harlech (From "Zulu")' came out on January 1, 1999. The duration of Men of Harlech (From "Zulu") is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Men of Harlech (From "Zulu")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zulu: The Film Music of John Barry by The City of Prague Philharmonic Orchestra. The song's track number on the album is #6 out of 25 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Men of Harlech (From "Zulu") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Men of Harlech (From "Zulu") by The City of Prague Philharmonic Orchestra has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Men of Harlech (From "Zulu") being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Resurrection - From "The Passion of the Christ" | Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | B♭ Major | 3 | 6B | 109 BPM | ||
The Fairy & The Labyrinth | Javier Navarrete | F♯ Major | 2 | 2B | 70 BPM | ||
The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | B♭ Major | 2 | 6B | 138 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Overture - From "Lawrence of Arabia" | The City of Prague Philharmonic Orchestra | G Major | 5 | 9B | 120 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Jenő Jandó | C Minor | 1 | 5A | 105 BPM | ||
Gabriel's Oboe - From "The Mission" | The City of Prague Philharmonic Orchestra | D Major | 2 | 10B | 75 BPM |