On December 20, 2019, the song "The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 15 in G Major, BWV 860" was released by Christiane Jaccottet. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Relax cafe/Investigation of comfort chamber music and harpsichord". In this album, this song's track order is #15. The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 15 in G Major, BWV 860 is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 15 in G Major, BWV 860 by Christiane Jaccottet having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 89 BPM | ||
English Suite No. 1 in A Major, BWV 806: III. Courante I | Johann Sebastian Bach, Christiane Jaccottet | A♭ Major | 5 | 4B | 64 BPM | ||
Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | F♯ Major | 4 | 2B | 126 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: III. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | F Major | 0 | 7B | 83 BPM | ||
Musique de table, Part III: Concerto for 2 horns in E-Flat Major, TWV 54:Es1: III. Grave | Georg Philipp Telemann, Bedřich Tylšar, Zdeněk Tylšar, Capella Istropolitana, Richard Edlinger | C Minor | 1 | 5A | 98 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, R.94: 2. Largo | Antonio Vivaldi, Michala Petri, Heinz Holliger, Felix Ayo, Pasquale Pellegrino, Christiane Jaccottet, Klaus Thunemann, Jonathan Rubin, Thomas Demenga | D Major | 0 | 10B | 135 BPM | ||
Concerto a cinque No. 11, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 125 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM |