"Scriabin: 4 Pieces, Op. 51: No. 2, Prélude" by Alexander Scriabin, Mikhail Pletnev was released on April 7, 1997. The duration of Scriabin: 4 Pieces, Op. 51: No. 2, Prélude is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Scriabin: 4 Pieces, Op. 51: No. 2, Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Scriabin: 24 Preludes - Sonatas 4 and 10". In this album, this song's track order is #28. Scriabin: 4 Pieces, Op. 51: No. 2, Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scriabin: 4 Pieces, Op. 51: No. 2, Prélude by Alexander Scriabin, Mikhail Pletnev having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Préludes, Op. 32: No. 6. Allegro appassionato in F Minor | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Major | 1 | 3B | 67 BPM | ||
Visions fugitives, Op. 22: XI. Con vivacità | Sergei Prokofiev, Steven Osborne | D Major | 0 | 10B | 132 BPM | ||
Troisième recueil de chants, Op. 65: II. Esprits follets. Prestissimo | Charles-Valentin Alkan, Marc-André Hamelin | A Minor | 1 | 8A | 64 BPM | ||
Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: II. Canzone | Franz Liszt, Lazar Berman | E♭ Major | 1 | 5B | 75 BPM | ||
Kinderszenen, Op. 15: 2. Kuriöse Geschichte | Robert Schumann, Alfred Brendel | D Major | 1 | 10B | 114 BPM | ||
Masques, Op. 34: II. Tantris le Bouffon. Vivace assai | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Invention in B-Flat Major, "Inventio 14", BWV 785, IJB 841 | Johann Sebastian Bach, Walter Gieseking | B♭ Major | 1 | 6B | 72 BPM | ||
VIII. August. Harvest Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Minor | 1 | 10A | 103 BPM | ||
Lieder von Robert Schumann, S. 569/R. 257, nos. 1-7: No. 4, Des Sennen Abschied | Franz Liszt, Joseph Banowetz | C Major | 0 | 8B | 120 BPM |