"24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major: Allegretto" by Dmitri Shostakovich, Konstantin Scherbakov was released on November 30, 2000. The duration of 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major: Allegretto is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major: Allegretto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Shostakovich: 24 Preludes and Fugues, Op. 87". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major: Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major: Allegretto by Dmitri Shostakovich, Konstantin Scherbakov having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio (live) | Dmitri Shostakovich, Martha Argerich, Alexander Verdernikov, Orchestra della Svizzera Italiana | D♭ Major | 4 | 3B | 80 BPM | ||
Gnossiennes: No. 6 | Erik Satie, Pascal Rogé | B♭ Major | 0 | 6B | 66 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36: III. Allegro molto | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Major | 1 | 6B | 76 BPM | ||
Variations On A Theme By Chopin: Variation 11. Lento dolce e legato | Federico Mompou, Daniil Trifonov | F♯ Minor | 1 | 11A | 66 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Nocturne No. 3 in B Major, Op. 9, No. 3 | Frédéric Chopin, Maria João Pires | F♯ Major | 0 | 2B | 98 BPM | ||
Etudes-tableaux, Op. 39: No. 5 in E-Flat Minor: Appassionato | Sergei Rachmaninoff, Konstantin Scherbakov | F Major | 1 | 7B | 88 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |