Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson's 'Piano Concerto No. 3 in B Minor, Op. 89: III. Finale: Vivace' came out on February 1, 1987. Piano Concerto No. 3 in B Minor, Op. 89: III. Finale: Vivace appears to be safe for all ages as it is not explicit. The track order of this song in Johann Nepomuk Hummel, Stephen Hough, Bryden Thomson's "Hummel: Piano Concertos Nos. 2 and 3" album is number 6 out of 6. Based on our statistics, Piano Concerto No. 3 in B Minor, Op. 89: III. Finale: Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 3 in B Minor, Op. 89: III. Finale: Vivace by Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet In F Major, Op.166, D.803: 5. Menuetto | Franz Schubert, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch, Eduard Brunner, Radovan Vlatkovic, Klaus Thunemann | F Minor | 2 | 4A | 107 BPM | ||
Piano Concerto No. 17 in G Major, K. 453: III. Allegretto | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | A♭ Minor | 1 | 1A | 60 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Continuo in D minor, RV 540: 3. Allegro (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, Norbert Blume, English Chamber Orchestra, George Malcolm | D Minor | 1 | 7A | 131 BPM | ||
Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso | Frédéric Chopin, Evgeny Kissin | D♭ Minor | 1 | 12A | 67 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Lyric Pieces Book III, Op.43: 1. Butterfly | Edvard Grieg, Andrei Gavrilov | E Major | 1 | 12B | 71 BPM | ||
An die Musik, D. 547 (Arr. Moore) | Franz Schubert, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Der Fischer und das Milchmädchen: VII. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |