Francisco Tárrega, Miloš Karadaglić's 'Recuerdos De La Alhambra' came out on January 1, 2011. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miloš Karadaglić's "Mediterráneo" album is number 2 out of 18. Recuerdos De La Alhambra is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recuerdos De La Alhambra by Francisco Tárrega, Miloš Karadaglić to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Rodrigo: Fantasía para un gentilhombre: II. Españoleta | Joaquín Rodrigo, Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | A Minor | 0 | 8A | 85 BPM | ||
Five Pictures of Sark | Vincent Lindsey-Clark, Miloš Karadaglić | D Major | 2 | 10B | 75 BPM | ||
Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
Gran Adagio (Arr. Spindler for Oboe, Violin, Cello and Orchestra After Adagio from Gran Partita, K. 361/370a) | Wolfgang Amadeus Mozart, Albrecht Mayer, Daniel Sepec, Nuala McKenna, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | D Major | 3 | 10B | 141 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
A Chloris (Arr. For Cor Anglais & Orchestra) | Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | E Major | 0 | 12B | 87 BPM | ||
Variations sur "Jeux interdits" | Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito | E Major | 1 | 12B | 117 BPM | ||
8 Etudes: 24 Studies, Op. 35, "Exercises": No. 17 in D major | Norbert Kraft | A Major | 0 | 11B | 127 BPM |