Ludwig van Beethoven, のだめオーケストラ made "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章" available on January 30, 2010. Since Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ベートーヴェン 交響曲第7番イ長調作品92, so we believe that "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章" is a single. Based on our statistics, Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第2楽章 by Ludwig van Beethoven, のだめオーケストラ is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Le carnaval des animaux, R. 125: XIV. Final | Camille Saint-Saëns, Michel Plasson, Mikhail Rudy, Tzimon Barto, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 94 BPM | ||
Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Liya Petrova, Sinfonia Varsovia, Jean-Jacques Kantorow | D Major | 1 | 10B | 130 BPM | ||
Piano Trio in E-Flat Major, Op. 148, D. 897, "Notturno" | Franz Schubert, Moscow Rachmaninov Trio | G Minor | 1 | 6A | 102 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Mendelssohn: Songs Without Words, Book II, Op. 30: No. 6, Allegretto tranquillo, MWV U110 "Venetian Boat Song" | Felix Mendelssohn, Walter Gieseking | F♯ Minor | 0 | 11A | 134 BPM | ||
Egmont, Op. 84 | Slovak Philharmonic, Ludwig van Beethoven, Johann Wolfgang von Goethe | F Minor | 1 | 4A | 80 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 2 | 11B | 77 BPM | ||
Adieu / Adiós / Farewell | Franz Burgmüller | C Major | 1 | 8B | 157 BPM | ||
Symphony No. 1 in C Minor: IV. Finale. Adagio - Allegro | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | A♭ Minor | 0 | 1A | 67 BPM | ||
Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM |