"Le carnaval des animaux, R. 125: No. 13, Le Cygne" by Camille Saint-Saëns, Ross Pople had its release date on May 24, 1996. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Saint-Saens: Karneval der Tiere". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. In terms of popularity, Le carnaval des animaux, R. 125: No. 13, Le Cygne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: No. 13, Le Cygne by Camille Saint-Saëns, Ross Pople having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Xavier De Maistre | D Major | 1 | 10B | 118 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Pavane, Op.50 (Arr. For Oboe d'amore & Orchestra) | Gabriel Fauré, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | D Major | 0 | 10B | 95 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | F Minor | 3 | 4A | 145 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
The Well-Tempered Clavier, Book I, BWV 846-869 - Prelude No. 1 in C Major, BWV 846 | Classical Coterie | C Major | 0 | 8B | 217 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Philadelphia Orchestra, Eugene Ormandy | E Minor | 1 | 9A | 91 BPM |