"Amazing Grace" by anon. 19th-century American, York Minster Choir, Philip Moore was released on 1996. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 21 in Best-Loved Hymns from York Minster by York Minster Choir/Philip Moore. Amazing Grace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Amazing Grace by anon. 19th-century American, York Minster Choir, Philip Moore is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Come, Emmanuel | Salisbury Cathedral Choir, Simon Lole | G Major | 2 | 9B | 85 BPM | ||
Psalm 23: The Lord is my Shepherd | George Martin, The Choir Of Westminster Abbey, Martin Neary | A Major | 2 | 11B | 77 BPM | ||
Ag Criost An Siol | Sean O'Riada, The Priests, Sally Herbert | A♭ Major | 2 | 4B | 82 BPM | ||
The Infant King "Sing Lullaby" (Arr. E. Pettman for Choir) | Traditional, York Minster Choir, Philip Moore | D♭ Major | 1 | 3B | 78 BPM | ||
Come, Thou Holy Spirit Come | Anonymous, The Choir of Christ's College, Cambridge, Alexandra Jobling, David Rowland | B Minor | 1 | 10A | 106 BPM | ||
The Seven Joys Of Mary | Anonymous, Graham Green, Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | A♭ Major | 1 | 4B | 79 BPM | ||
Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing) | Felix Mendelssohn, Eric Plutz, St. John's Cathedral Boys and Girls Choir, St. John's Cathedral Choir, Donald Pearson | G Major | 1 | 9B | 99 BPM | ||
Ave Verum | Karl Jenkins, The Priests, Allan Wilson, Slovak National Symphony Orchestra | D♭ Major | 8 | 3B | 187 BPM | ||
All creatures of our God and King | Ralph Vaughan Williams & arr Malcolm Archer, Wells Cathedral Choir, Malcolm Archer & Rupert Gough, Wells Cathedral School Brass Ensemble | G Major | 1 | 9B | 91 BPM | ||
Let all mortal flesh keep silence | Edward Bairstow, Choir of Clare College, Cambridge, Graham Ross, Alexander Porteous, Joshua Pacey | F♯ Minor | 1 | 11A | 132 BPM |