Milton Babbitt, Robert Taub's 'Partitions' came out on 1986. With Partitions being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Milton Babbitt, Robert Taub's "Milton Babbitt: Piano Works" album is number 4 out of 9. Partitions is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Partitions by Milton Babbitt, Robert Taub to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Qi - I. Lucid Flight | Evan Ziporyn, Brooklyn Rider | D Major | 3 | 10B | 159 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
My Ends Are My Beginnings: I. — | Milton Babbitt, Allen Blustine | A Major | 0 | 11B | 85 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Andante tranquillo | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
The RIte of Spring, K015 (Version for 2 Pianos), Pt. 2: X. Mystic Circles of the Adolescents | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM |