Knudåge Riisager, Aarhus Symphony Orchestra, Bo Holten made "Symphony No. 4, Op. 38, "Sinfonia gaia": I. Allegro ostinato" available on February 4, 2014. Since Symphony No. 4, Op. 38, "Sinfonia gaia": I. Allegro ostinato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Riisager: The Symphonic Edition, Vol. 3". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Symphony No. 4, Op. 38, "Sinfonia gaia": I. Allegro ostinato is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 4, Op. 38, "Sinfonia gaia": I. Allegro ostinato by Knudåge Riisager, Aarhus Symphony Orchestra, Bo Holten having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Corsaire: Act I - "I. Overture" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 2 | 10B | 69 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Etudes: IX. Piqués et grands pirouettes | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 79 BPM | ||
Act II: Variation Of Cupid (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 132 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | ||
Pohádka, Op. 16: II. Intermezzo. Hra na labute a pávy | Josef Suk, Jiří Bělohlávek, Czech Philharmonic | B Major | 1 | 1B | 109 BPM | ||
Act I: Friends Of Kitri (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 72 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: First Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 119 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM |