Pierre Phalèse, La Compagnie Maitre Guillaume made "Pavane d'Escosse" available on 1997. The duration of Pavane d'Escosse is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Pavane d'Escosse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Phalèse : Si pour t'aymer, Danseries". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, Pavane d'Escosse is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pavane d'Escosse by Pierre Phalèse, La Compagnie Maitre Guillaume having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fuga e due liuti | Vincenzo Galilei, Massimo Lonardi, Ugo Nastrucci | C Major | 1 | 8B | 87 BPM | ||
Pavane de garde, Gaillarde de garde, Volte | Pierre Phalèse, Currende Consort, Capella Sancti Michaëlis | F Major | 1 | 7B | 133 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | ||
Bassadanza cupido | Guglielmo Ebreo da Pesaro, La Rossignol | G Minor | 0 | 6A | 91 BPM | ||
Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Bataille | Pierre Phalèse, Lautten Compagney | F Major | 2 | 7B | 129 BPM | ||
Chançon ferai, que talenz m’en est pris | Thibaut de Champagne, Brigitte Lesne, Alla Francesca | D♭ Major | 2 | 3B | 94 BPM | ||
Passamezzo - Saltarello | Pierre Phalèse, Konrad Ragossnig, Dieter Kirsch | F Major | 2 | 7B | 92 BPM | ||
Courante II | Johann Daniel Mylius, Lutz Kirchhof | B Minor | 1 | 10A | 115 BPM | ||
Branle pourquoy | Pierre Phalèse, La Compagnie Maitre Guillaume | A Minor | 3 | 8A | 115 BPM |