Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester made "6. Aria: Ein Gebet um neue Stärke" available on April 5, 2024. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Georg Anton Kreusser: Der Tod Jesu: 6. Aria: Ein Gebet um neue Stärke and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. 6. Aria: Ein Gebet um neue Stärke is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of 6. Aria: Ein Gebet um neue Stärke by Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona à 6 | Hans Leo Hassler, Mainzer Dombläser, Karsten Storck | G Major | 0 | 9B | 109 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisisti | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Minor | 0 | 8A | 123 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Der Stein der Weisen, Act I: Aria. Alle Wetter! O ihr Götter! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
English Suite No. 6 in D Minor, BWV 811: IV. Sarabande - Double | Johann Sebastian Bach, Benjamin Alard | D Minor | 2 | 7A | 110 BPM | ||
Joseph and his Brethren HWV 59, Symphony: III. Allegro | George Frideric Handel, La Sfera Armoniosa, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 116 BPM | ||
Ich weiss, dass mein Erloser leb, TWV 1:873: Dictum | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | B Major | 1 | 1B | 115 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Umkehr | Steffen Schleiermacher, Julia Sophie Wagner | E♭ Minor | 1 | 2A | 135 BPM |