"Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518" by Richard Wagner, Alfred Grünfeld, Peter Phillips was released on March 5, 2024. Since Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Phillips, Johann Strauss II, Bedřich Smetana, Cyril Scott, Léo Delibes, Enrique Granados, Camille Saint-Saëns, Pyotr Ilyich Tchaikovsky's "Kunstlerleben. Piano Music from the Golden Age" album is number 11 out of 22. On top of that, Germany appears to be the country where this track was created. Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tristan Und Isolde: Liebestod - Isolde's Love Death. Act 3 (Arr. Solo Piano by Grundfeld) - Duca 518 by Richard Wagner, Alfred Grünfeld, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Études, Book 2: No. 6, Automne à Varsovie | György Ligeti, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
14 Bagatelles Sz. 38: No. 4 Grave | Béla Bartók, Irene Cantos | E♭ Major | 1 | 5B | 80 BPM | ||
14 Bagatelles Sz. 38: No. 1 Molto Sostenuto | Béla Bartók, Irene Cantos | E Minor | 0 | 9A | 107 BPM | ||
Lieder ohne Worte, Op. 67: No. 6 Allegro non troppo in E Major "Cradle Song", MWV U188 | Felix Mendelssohn, Christoph Eschenbach | E Major | 0 | 12B | 91 BPM | ||
Danse Macabre, Op. 40 - Welte-Mignon 2991 | Camille Saint-Saëns, Peter Phillips, Eugen d'Albert | G Major | 1 | 9B | 63 BPM | ||
6 Romances Sans Paroles, Op. 76,: No. 6, Meditation | Cécile Chaminade, Irene Cantos | A♭ Major | 0 | 4B | 73 BPM | ||
Prélude in C Minor, Op. 11, No. 20 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Summer of '42 | Michel Legrand, Philippe Guilhon-Herbert | E♭ Minor | 1 | 2A | 75 BPM | ||
La Fleurie, Ou La Tendre Nannette (Arr. Solo Piano by Jeanne-Marie Darrédarré) - Duo-Art 075 Br | François Couperin, Peter Phillips, Jeanne-Marie Darre | G Major | 0 | 9B | 104 BPM |