Gioachino Rossini, William Matteuzzi, Enrico Fissore, Cecilia Bartoli, Paata Burchuladze, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè made "Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa" available on January 1, 1989. With this song being about 5 minutes long, at 4:45, "Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa" by Gioachino Rossini, William Matteuzzi, Enrico Fissore, Cecilia Bartoli, Paata Burchuladze, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa by Gioachino Rossini, William Matteuzzi, Enrico Fissore, Cecilia Bartoli, Paata Burchuladze, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A Major | 1 | 11B | 78 BPM | ||
Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |