Annie Dufresne made "J'ai tout essayé" available on September 26, 2011. The duration of J'ai tout essayé is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. J'ai tout essayé's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Annie Dufresne's "Le long jeu" album is number 5 out of 23. The popularity of J'ai tout essayé is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of J'ai tout essayé by Annie Dufresne to be Presto (very, very fast) because the track has a tempo of 185 テンポ, a half-time of 92テンポ, and a double-time of 370 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mijn hert altijt heeft verlanghen | Pierre de la Rue, Capilla Flamenca | A Minor | 0 | 8A | 76 BPM | ||
Run Chico | Annie Dufresne | D Major | 7 | 10B | 101 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Stabat Mater, RV 621 for Alto Solo: No. 7, Eja mater | Antonio Vivaldi, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | E Major | 6 | 12B | 98 BPM | ||
Menuet de Poitou de Couprin le père / Autre de Poitou / Menuet de Poitou / Autre de Poitou par Mle de la Chataigneraye / Autre de Poitou / Menuet de Poitou / Menuet d’Anne Philidor | Charles Couperin, Mademoiselle de la Chataigneraye, Anne Danican Philidor, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
Fuggi, fuggi da questo cielo | Giuseppino del Bialo, Clematis, Zachary Wilder | F♯ Major | 1 | 2B | 123 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM |