"Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto" by George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood was released on October 16, 2000. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 10 out of 82. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo / Act 1: Aria: Sibilar gli angui d'Aletto by George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Radamisto, HWV 12, Act III: Se teco vive il cor | George Frideric Handel, The English Concert, Harry Bicket, Rosemary Joshua, Dame Sarah Connolly | A♭ Major | 2 | 4B | 107 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: II. Adagio | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | D Minor | 0 | 7A | 82 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Rosa del Ciel" (Euridice, Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 108 BPM | ||
Il Combattimento di Tancredi e Clorinda, SV 153: 3. Torna l'ira nei cori | Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett | C Major | 2 | 8B | 164 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Dido and Aeneas, Z. 626: Act I: Belinda, Chorus: Shake the cloud from off your brow | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 1 | 10A | 128 BPM | ||
Armide: Act II Scene 5: Enfin il est en ma puissance (Armide) | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D Minor | 1 | 7A | 94 BPM | ||
Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM |