"Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 10. Molto sostenuto" by Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on January 1, 2005. With this song being about 5 minutes long, at 4:34, "Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 10. Molto sostenuto" by Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Karl Höller, Eugen Jochum's "Höller: Symphonic Fantasy; Sweelinck Variations" album is number 15 out of 16. Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 10. Molto sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 10. Molto sostenuto by Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Sur les flots lointains, Op. 130 | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | D Major | 2 | 10B | 126 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Evil Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Major | 5 | 2B | 183 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM | ||
Darkness | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM | ||
Sorochinsky Fair: Gopak | David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 116 BPM |