"I Puritani / Act 1: "A te, o cara" - Remastered" by Vincenzo Bellini, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda was released on January 1, 1998. The duration of I Puritani / Act 1: "A te, o cara" - Remastered is about 3 minutes long, at 3:06. Based on our data, "I Puritani / Act 1: "A te, o cara" - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 17 in Aria - The Opera Album by Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of I Puritani / Act 1: "A te, o cara" - Remastered is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Puritani / Act 1: "A te, o cara" - Remastered by Vincenzo Bellini, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fedora / Act 2: Amor ti vieta | Russell Watson, London Session Orchestra, Nick Ingman | C Major | 3 | 8B | 61 BPM | ||
Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | E♭ Major | 2 | 5B | 86 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Oh, quand je dors, S 282 | Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | E Major | 3 | 12B | 86 BPM | ||
Enigma Variations: Nimrod | London Philharmonic Orchestra | E♭ Major | 1 | 5B | 68 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM | ||
Ah l'amuri | Alessandro Safina | E♭ Major | 4 | 5B | 71 BPM | ||
Dicitencello vuje | Mario del Monaco | D♭ Major | 3 | 3B | 89 BPM | ||
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | D Major | 2 | 10B | 123 BPM |