Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza's 'Roméo et Juliette, CG 9 / Act 4: Dieu! Quel frisson court dans mes veines?' came out on March 4, 2022. With Roméo et Juliette, CG 9 / Act 4: Dieu! Quel frisson court dans mes veines? being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza, Charles Gounod, Gaetano Donizetti, Giuseppe Verdi's "Made for Opera" album is number 16 out of 17. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Roméo et Juliette, CG 9 / Act 4: Dieu! Quel frisson court dans mes veines?'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Roméo et Juliette, CG 9 / Act 4: Dieu! Quel frisson court dans mes veines? by Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Manon: "Instant charmant" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 0 | 10B | 143 BPM | ||
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM | ||
Der Zarewitsch: Einer wird kommen - Musical Moments | Franz Lehár, Nadine Sierra, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | F Major | 0 | 7B | 81 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Sir Simon Rattle, Jonas Kaufmann, Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM |