On March 2, 2018, the song "Cabanilles: Gallarda" was released by Juan Hidalgo, Jordi Savall. Since Cabanilles: Gallarda is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 192 out of 195 in España Eterna by Jordi Savall. In terms of popularity, Cabanilles: Gallarda is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cabanilles: Gallarda by Juan Hidalgo, Jordi Savall is Andante (at a walking pace), since this song has a tempo of 104 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ay Amor, ay ausencia! | Juan Hidalgo, Private Musicke, Pierre Pitzl | E♭ Minor | 1 | 2A | 97 BPM | ||
Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Nymphes des bois, NJE 29.18 | Josquin des Prez, Graindelavoix, Björn Schmelzer | A♭ Minor | 3 | 1A | 82 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 98 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Manuscrit Panmure: Courante in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | A♭ Minor | 2 | 1A | 141 BPM |