Sergei Rachmaninoff, Nobuyuki Tsujii's 'ラフマニノフ:パガニーニの主題による狂詩曲 作品43 - 第15変奏 Piu vivo scherzando' came out on May 9, 2018. With ラフマニノフ:パガニーニの主題による狂詩曲 作品43 - 第15変奏 Piu vivo scherzando being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in グリーグ:ピアノ協奏曲 イ短調 / ラフマニノフ:パガニーニの主題による狂詩曲, so we believe that "ラフマニノフ:パガニーニの主題による狂詩曲 作品43 - 第15変奏 Piu vivo scherzando" is a single. In terms of popularity, ラフマニノフ:パガニーニの主題による狂詩曲 作品43 - 第15変奏 Piu vivo scherzando is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ラフマニノフ:パガニーニの主題による狂詩曲 作品43 - 第15変奏 Piu vivo scherzando by Sergei Rachmaninoff, Nobuyuki Tsujii is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36: II. Non allegro. Lento | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 0 | 11B | 169 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Chiyan Wong, London Symphony Orchestra, Christoph Koncz | E Major | 0 | 12B | 69 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM |