"Theme (From "Smuga cienia")" by Wojciech Kilar, Maksym Rzemiński, Radom Chamber Orchestra, Dawid Runtz was released on November 2, 2018. The duration of Theme (From "Smuga cienia") is about 3 minutes long, at 3:15. Based on our data, "Theme (From "Smuga cienia")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maksym Rzemiński, Radom Chamber Orchestra, Dawid Runtz's "Maximus: The Greatest Movie Soundtracks" album is number 4 out of 20. On top of that, Poland appears to be the country where this track was created. Theme (From "Smuga cienia") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Theme (From "Smuga cienia") by Wojciech Kilar, Maksym Rzemiński, Radom Chamber Orchestra, Dawid Runtz to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Nature of Daylight (From "Arrival") | Max Richter, Maksym Rzemiński, Radom Chamber Orchestra, Dawid Runtz | B♭ Minor | 0 | 3A | 71 BPM | ||
Serenade, D. 957, No. 4 | Franz Schubert, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 105 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Pożegnanie | Michał Lorenc | E Minor | 3 | 9A | 120 BPM | ||
The Architect | Kerry Muzzey, The Chamber Orchestra Of London, Andrew Skeet | D Minor | 5 | 7A | 128 BPM | ||
Romanza | Krzesimir Debski | A Minor | 1 | 8A | 87 BPM | ||
Simple Harp Variation No. 1 | Martin Phipps | A♭ Minor | 1 | 1A | 101 BPM | ||
Anna's Last Train | Dario Marianelli | D♭ Major | 1 | 3B | 82 BPM | ||
Garden of Innocence | Pino Donaggio | D Major | 2 | 10B | 56 BPM | ||
Transylvanian Lullaby (From "Young Frankenstein") | John Morris, Maksym Rzemiński, Rzeminski Chamber Orchestra, Lucjan Szaliński-Bałwas | D Minor | 2 | 7A | 126 BPM |