Frank Martin, Daniel Reuss, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Cappella Amsterdam, Adrian Thompson, Mattijs van de Woerd made "Golgotha, Seconde Partie: IX. Le Calvaire" available on March 23, 2010. Golgotha, Seconde Partie: IX. Le Calvaire appears to be safe for all ages as it is not explicit. The track order of this song in Frank Martin, Daniel Reuss's "Martin: Golgotha" album is number 4 out of 10. On top of that, France appears to be the country where this track was created. Golgotha, Seconde Partie: IX. Le Calvaire is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golgotha, Seconde Partie: IX. Le Calvaire by Frank Martin, Daniel Reuss, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Cappella Amsterdam, Adrian Thompson, Mattijs van de Woerd to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Ariel Songs: Where the Bee Sucks, There Suck I | Frank Martin, William Shakespeare, Netherlands Chamber Choir, Tõnu Kaljuste | B Major | 1 | 1B | 85 BPM | ||
4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | ||
The Armed Man (Ensemble Version): XIII. Better is Peace | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Zum Abendsegen, WoO 12 | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A Minor | 1 | 8A | 91 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Evening Songs, Op. 3: No. 4, Když Bůh byl nejvíc rozkochán | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Major | 1 | 12B | 86 BPM | ||
Messe basse: III. Benedictus | Gabriel Fauré, Isabelle Poulenard, Corydon Singers, Matthew Best, John Scott | A♭ Major | 0 | 4B | 105 BPM |