On April 14, 1996, the song "Love Me or Leave Me - 1991 Remastered" was released by Benny Goodman. The duration of Love Me or Leave Me - 1991 Remastered is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Love Me or Leave Me - 1991 Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Benny Goodman's "Greatest Hits" album is number 13 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Love Me or Leave Me - 1991 Remastered's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Love Me or Leave Me - 1991 Remastered by Benny Goodman to be Allegro (fast, quick, and bright) because the track has a tempo of 155 テンポ, a half-time of 78テンポ, and a double-time of 310 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
What a little moonlight can do | Billie Holiday, Benny Goodman Ensemble, Benny Goodman | D Minor | 4 | 7A | 136 BPM | ||
(How Little It Matters) How Little We Know | Chris Connor | F Major | 3 | 7B | 115 BPM | ||
Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
Goody Goody - Live | Benny Goodman | A♭ Major | 4 | 4B | 182 BPM | ||
Sunday | Boilermaker Jazz Band | C Major | 5 | 8B | 151 BPM | ||
Ochi Chornya | Wingy Manone | A Major | 3 | 11B | 82 BPM | ||
My Guy's Come Back | Benny Goodman | C Major | 5 | 8B | 83 BPM | ||
New Orleans Stomp | Johnny Dodds | F Major | 3 | 7B | 126 BPM | ||
Down with Love | Lee Wiley | G Minor | 2 | 6A | 168 BPM | ||
Lying in the Hay (Foxtrott) | Al Bowlly, The New Mayfair Dance Orchestra, Ray Noble | C Major | 3 | 8B | 128 BPM |