Alexander Scriabin, Vladimir Horowitz made "12 Etudes for piano, Op.8: No. 12 in D sharp minor" available on January 1, 1986. The duration of 12 Etudes for piano, Op.8: No. 12 in D sharp minor is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 12 Etudes for piano, Op.8: No. 12 in D sharp minor's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vladimir Horowitz - The Studio Recordings by Vladimir Horowitz. The song's track number on the album is #13 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, 12 Etudes for piano, Op.8: No. 12 in D sharp minor is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since 12 Etudes for piano, Op.8: No. 12 in D sharp minor by Alexander Scriabin, Vladimir Horowitz has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 12 Etudes for piano, Op.8: No. 12 in D sharp minor being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Orpheus' Lament & Dance of the Blessed Spirits (Arr. Kempff) | Christoph Willibald Gluck, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |