"Mozart: An Chloe, K. 524" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Mozart: An Chloe, K. 524 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Mozart: An Chloe, K. 524's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 18 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Mozart: An Chloe, K. 524 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: An Chloe, K. 524 by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zärtliche Liebe, WoO 123 "Ich liebe dich" | Ludwig van Beethoven, Fritz Wunderlich, Rolf Reinhardt | G Major | 2 | 9B | 91 BPM | ||
Die Zauberflöte - Singspiel in two acts, K. 620, Act II: O Isis und Osiris (Sarastro, Chor) - 1987 Digital Remaster | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 92 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | E Major | 1 | 12B | 79 BPM | ||
Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly | G Minor | 4 | 6A | 120 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 2, Mohnblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
5 Lieder: No. 3. Laue Sommernacht | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | A Major | 0 | 11B | 73 BPM |