"Suite Française: III. Dialogue de Cromorne et de Cornet" by Naji Hakim was released on July 1, 2016. With Suite Française: III. Dialogue de Cromorne et de Cornet being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Naji Hakim's "Hakim Plays Hakim: The Schuke Organ of the Palacio Euskalduna of Bilbao, Vol. 2" album is number 15 out of 28. In terms of popularity, Suite Française: III. Dialogue de Cromorne et de Cornet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite Française: III. Dialogue de Cromorne et de Cornet by Naji Hakim to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Sonata in C Major | Pier Giuseppe Sandoni, Hakan Martinsson | C Major | 0 | 8B | 91 BPM | ||
Real Breakfast | Mikko Finneman | E Major | 3 | 12B | 93 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): VI. Reuig, andächtig | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
Sonata No. 4 in F Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
Vesper Voluntaries, op. 14: no. 6 | Edward Harte | G Minor | 0 | 6A | 65 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
With His Blood the Dear Lord Jesus SHZ 561 | Laestadian Lutheran Church, Laurel Loukusa, Elle Keranen | F Major | 0 | 7B | 76 BPM | ||
Toccata Op.5/3 | Joesph Bonnet, Charles-Marie Widor, David M Patrick | D Major | 3 | 10B | 174 BPM | ||
Paint My Wall | Mikko Finneman | A♭ Minor | 3 | 1A | 86 BPM |