George Frideric Handel, Glenn Gould made "Suite No. 3 in D minor HWV 428: I. Prelude. Presto {attacca" available on 1970. With Suite No. 3 in D minor HWV 428: I. Prelude. Presto {attacca being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Glenn Gould's "Handel: Suites for Harpsichord and J.S. Bach: Selections from The Well Tempered Clavier, Book II" album is number 9 out of 28. On top of that, United States appears to be the country where this track was created. In terms of popularity, Suite No. 3 in D minor HWV 428: I. Prelude. Presto {attacca is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No. 3 in D minor HWV 428: I. Prelude. Presto {attacca by George Frideric Handel, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | ||
Fantasia in D Major, Wq. 117/14, H. 160 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 126 BPM | ||
Keyboard Sonata No. 48 in C Minor | Antonio Soler, Mateusz Borowiak | C Minor | 4 | 5A | 145 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Trio Sonata in A Minor, TWV 42:a1: II. Vivace | Georg Philipp Telemann, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Partita No. 5 in G Major, BWV 829: II. Allemande | Glenn Gould | F Major | 0 | 7B | 114 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Concerto for 2 Oboes in C Major, RV 534: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 113 BPM |