Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler's ' "Swan Lake, Op. 20: No. 13 Danses Des Cygnes: IV. Allegro Moderato" was released on its scheduled release date, March 18, 1989. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Tchaikovsky: Swan Lake Highlights". In this album, this song's track order is #8. In terms of popularity, Swan Lake, Op. 20: No. 13 Danses Des Cygnes: IV. Allegro Moderato is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Swan Lake, Op. 20: No. 13 Danses Des Cygnes: IV. Allegro Moderato by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lensky's Variation - Pas De Deux (Onegin Ballet Suite No 4 & 5) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A♭ Major | 9 | 4B | 125 BPM | ||
The Sleeping Beauty, Op. 66: No. 1 Introduction | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | D♭ Major | 0 | 3B | 87 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Giselle: Act II: Variation 1: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 97 BPM | ||
Waltz Op. 69 No. 2 | Frédéric Chopin, Olga Bordas | A Minor | 1 | 8A | 77 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM |