"Dialogando" by Pedro Ibanez had its release date on January 1, 2007. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Dialogando's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Prestigio De La Guitarra Vol. 2 : Guitar Anthology / Anthologie De La Guitare". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Dialogando is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dialogando by Pedro Ibanez having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La ballade des dames du temps jadis | Roland Dyens | D Major | 0 | 10B | 61 BPM | ||
Maria-Jésus (Rumba) | Pedro Ibanez | B Minor | 1 | 10A | 89 BPM | ||
2 The Night (Ottmar Liebert) | Creol | A Minor | 7 | 8A | 115 BPM | ||
Albéniz: Suite Española No.1, Op. 47, Granada | Ana Vidović | A Minor | 0 | 8A | 134 BPM | ||
Azul | John H. Clarke | C Major | 3 | 8B | 108 BPM | ||
Souvenir | Maria Linnemann | B Minor | 1 | 10A | 67 BPM | ||
Capricho | Manuel Utrera y Antonio Palacios | A♭ Minor | 3 | 1A | 127 BPM | ||
Tarija | T-Bone Tremaine | E Major | 2 | 12B | 180 BPM | ||
El Negrito (Antonio Lauro) | Pedro Ibanez | B Minor | 0 | 10A | 144 BPM | ||
Carcassi Op.60 N.3 Andantino | Matteo Carcassi, Lucio Matarazzo | A Major | 2 | 11B | 118 BPM |